These projects involved sourcing, set building and customising props for advertising campaigns and editorial shoots.The briefs called for execution of innovative and dynamic solutions that resulted in the creation of many iconic campaigns.
The following images range from devising realistic grass stains and ball wipes on the Australian cricket teams’ whites to sourcing an authentic parachute and snow effect for Qantas’ Thrill Face, or to CooperVision’s See it both ways that required matching two different wardrobes on one person in one shot. To capturing Flynn Health’s beautiful silk chiffon evening dresses gracefully floating in a balletic high jump, or a glamorous girls’ picnic for Peppers Resort, to Tourism Tasmania’s iconic campaign shot on a two-week trip around the idyllic isle, styling props and wardrobe on the go.
Here are some of the campiagns I have worked on that included wardrobe, props and/or set build:
Australian Cricket team, photography Jon Higgs
Qantas Thrill Face. Client: MercerBell, photography Adrian Cook
Tourism Tasmania, Go Behind the Scenery, JimJam Ideas, photography Adrian Cook
Telstra It’s How We Connect. Client: Imagination, photography Adrian Cook
Flynn health – Kerry Wilson, HM Group, Australia
Olympus Camera: Our Backyard. Client: The Furnace, photography Adrian Cook
Cooper Vision See It Both Ways, photography Rick Gates
Penfolds/Worldwide, photography Paul Barbera
Sheridan Yarn, photography Paul Barbera
Sheridan We Hand Paint Designs, photography Paul Barbera
Olympus Optical Zoom. Client: JWT, photography Adam Taylor
Tourism Australia. Client: JWT, photography Adam Taylor
The Australian Ballet, photography Simon Harsent
Deconstructed Levis Denim, photography Sean Izzard
Dunlop Retro, photography Sean Izzard
Big Pond I’ve been Everywhere Man, photography Michael Corridore
Animal Planet Welcome to Animal Planet, photography Michael Corridore
Peppers Resort, photography Alex Buckingham
Love My Way, Mark Rogers